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T exas Community Capital's purpose is to provide loan and investment products, development services and other related activities to residents of underserved communities either directly or through community development financial institutions (CDFIs) and community development corporations (CDCs), and similar community lenders in Texas in order to expand the availability of funds for affordable. Using the Austin Build + Connect (AB+C) Portal as a Guest Public search is available to lookup permit and case history by address, without the need to register: AB+C Public Search Using AB+C as a Registered and Linked User AB+C enables registered linked users to submit some project documents, schedule inspections, view permits and make some payments online.

The Beck Group is a company that provides architecture, construction,^[3]real estate development and sustainable design and consulting, as well as finance and technology services. The company is based in Dallas, Texas and also has offices in Atlanta, Austin, Denver, Fort Worth, Houston, Mexico City, Monterrey Mexico, San Antonio, and Tampa.^[4] The Beck Group serves a diverse range of industries, including corporate, healthcare, entertainment, religious, and education, with sustainability as an emphasis. They also provide services based on the use of their software product, DESTINI.

The company is headquartered in the Arts District of Downtown Dallas at the former Southwestern Life Insurance Building, designed by George Dahl, but plans to relocate to Thanksgiving Tower in 2019.

History[edit]

The Beck Group was founded in 1912 by Henry C. Beck^[5] in Houston, Texas as a general contractor^[2] and moved its headquarters to Dallas in 1924,^[1] a requirement for building the city's Cotton Exchange Building.^[2]

In the 1990s the construction company began adding other services, such as design and real estate development. It also acquired a UK-developed software product (Reflex) and began to develop a proprietary software, DESTINI, which would provide immediate costs for buildings as they were modeled in the schematic design phase.^[6]

In 1999, under the leadership of then-CEO (present executive chairman) Henry C. Beck III, the company merged with Urban Architecture, a regional design firm.^[6] In 2013 Fred Perpall took over from Beck III as the fifth CEO of the design-build firm.^[7]

Projects[edit]

• AT&T Pinnacle Park – Dallas, Texas (Integrated: Architecture, Construction, Development)
• One Atlantic Center – Atlanta, Georgia (Construction)
• Baylor University Sciences Building – Waco, Texas (Integrated: Construction, Development Management)
• Baylor University – Baylor East Village ^[8]
• Baylor Research and Innovation Collaborative - Waco, Texas (Construction)
• Crescent Pavilion - Dallas, Texas (Construction)^[9]
• Dallas Arboretum^[10]
• Disney Corporate Headquarters – Burbank, California (Construction) ^[1]
• Duke University Basketball Practice Facility – Durham, North Carolina (Integrated: Architecture, Construction, Programming) ^[11]
• The Domain – Austin, Texas (Construction) ^[11]
• Fellowship Church - Grapevine, Texas (construction of both the original main facility and the bookstore expansion; in addition, Beck also renovated the facility now hosting its Downtown Dallas campus)
• Fidelity Investments Regional Center – Westlake, Texas (Construction)
• Firewheel Town Center – Garland, Texas (Integrated: Architect of Record, Construction) ^[11]
• First National Bank Plaza - Phoenix, Arizona (Construction)^[12]
• Fountain Place – Dallas, Texas (Construction) ^[1]
• Gateway Church - Southlake main campus (Architect),^[11] North Fort Worth site (Architect),^[11] and Grand Prairie site (Architect and Construction) ^[11]
• Guarantee Bank Tower - Phoenix, Arizona (Construction)
• Hunt Corporate Headquarters – Dallas, Texas (Architecture) ^[11]
• Los Angeles Museum of Contemporary Art – Los Angeles, California (Construction)
• Mary Kay Headquarters – Dallas, Texas (Construction)
• Phoenix Financial Center - Phoenix, Arizona (Construction)
• The Nasher Sculpture Center – Dallas, Texas (Integrated: Associate Architect of Record, Construction) ^[11]
• Piano Pavilion at the Kimbell Museum of Art in Fort Worth.^[10]
• RadioShack Headquarters – Fort Worth, Texas (Construction) ^[11]
• Southlake Town Square – Southlake, Texas (Integrated: Architect of Record, Construction)
• Shake Shack - Dallas, Texas (Integrated: Architect of Record, Construction)^[13]
• Texas Motor Speedway – Fort Worth, Texas (Construction) ^[1][11]
• USAA Southeast Regional Office – Tampa, Florida (Construction)
• Valley Center - Phoenix, Arizona (Construction)^[14]
• Victory Lofts – Tampa, Florida (Integrated: Architecture, Construction, Development, Media)
• Victory Plaza at Victory Park – Dallas, Texas (Construction)

References[edit]

1. ^ ^abcde'100 Years and Counting'. The Beck Group. Retrieved 17 March 2015.
2. ^ ^abcHall, Cheryl (12 October 2013). 'New CEO runs The Beck Group in lockstep with predecessor'. Dallas Morning News. Retrieved 1 March 2016.
3. ^Architecture: Celebrating the Past, Designing the Future. p. 173
4. ^Harwell, Drew (April 19, 2013). 'Top Workplaces: Beck Group cited for fostering innovation'. Tampa Bay Times. Retrieved 1 March 2016.
5. ^Greater Dallas Chamber (2000). 'Dallas: reflections & visions'. MARCOA Pub. p. 40. Retrieved 17 March 2015.
6. ^ ^abFehrenbach, Peter (April 1, 2012). 'How Peter Beck helped create a more efficient way to design and construct buildings'. Smart Business. Retrieved 1 March 2016.
7. ^'New CEO runs The Beck Group in lockstep with predecessor'. Dallas News. 2013-10-12. Retrieved 2018-05-01.
8. ^'Baylor East Village'. The Beck Group. Retrieved 18 March 2015.
9. ^'AIA Dallas Chapter Honors 9 Projects with Built Design Awards'. Dallas Innovates. 2017-10-11. Retrieved 2017-10-12.
10. ^ ^abBrown, Steve (February 9, 2015). 'Urban Land Institute picks finalists for North Texas commercial real estate awards'. Dallas Morning News. Retrieved 1 March 2016.
11. ^ ^abcdefghij'Portfolio'. The Beck Group. Retrieved 18 March 2015.
12. ^'PCI Items Vol. 18, No. 1.pdf'(PDF).
13. ^'Shake Shack restaurant lands at Uptown's Crescent complex'. Retrieved 2016-09-20.
14. ^'AJ-1973-10.pdf'(PDF).

External links[edit]

The BMC C-Series was a straight-6automobile engine produced from 1954 to 1971. Unlike the Austin-designed A-Series and B-Series engines, it came from the Morris Engines drawing office in Coventry and therefore differed significantly in its layout and design from the two other designs which were closely related. This was due to the C-Series being in essence an enlarged overhead valve development of the earlier 2.2 L Straight-6 overhead camshaft engine ^[2] used in the post-war Morris Six MS and Wolseley 6/80 from 1948 until 1954, which itself also formed the basis of a related 1.5 L 4-cylinder engine for the Morris Oxford MO in side-valve form and the Wolseley 4/50 in overhead camshaft form. Displacement was 2.6 to 2.9 L with an undersquare stroke of 88.9 mm (3.50 in), bored out to increase capacity.

Mission[edit]

The revised engine was required to replace BMC's inherited diverse collection of 2¹⁄₂-litre (150 cu in) engines made to prewar designs and Austin's wartime designed four-cylinder BS1. A long-stroke engine, though closer to square than BMC contemporaries, with a cast iron block and cylinder head using Weslake patents, its overhead valves were operated by pushrods. Previously, Rileys used high-mounted twin camshafts with short pushrods, and Wolseleys used single overhead camshafts. The twin-cam Riley and OHC Wolseley engines were expensive to make, sold in low volumes and both had had reliability problems, especially with overheating valves under sustained high loads. The brief for the C-Series was to be a more conventional design that was easy to build and service, more refined than the existing big Austin four-cylinder power units and with an emphasis on reliability and a long service life. At the design stage high performance was not foreseen as BMC had no sporting models of a size requiring an engine like the C-Series.^{[citation needed]}

The biggest design difference between the Morris-designed C-Series and the Austin-penned A- and B-Series engines was the position of the camshaft - on the right-hand side of the block (as viewed from within the car) rather than the left, although all three engines had their inlet and exhaust ports on the left. This meant that the C-Series didn't require the compound ports of the Austin engines, which were partly required to provide space in the cylinder head for the pushrods. This should, theoretically, have provided the C-Series with superior 'breathing' and efficiency than the smaller engines since it still used the same highly-effective heart-shaped Combustion chamber design by Harry Weslake. However this was undermined by the carburettor arrangements; instead of a dedicated intake manifold the C-Series was designed with an intake gallery cast into the cylinder head, with the carburettor(s) attached directly to the intake(s). This design was chosen for ease of construction and to allow different carburettor arrangements to be easily accommodated and the design also eliminated carburettor icing. Each cylinder had a generous-sized intake port from the gallery but the restrictive shape of the gallery and the carburettor port(s) severely limited the engine's maximum power output and speed, as did the four-bearing crankshaft. There appear to have been plans for a twin cam variant of the C-Series, using the same basic head and valve design as the DOHC B-Series in the MGA Twin Cam for use in Rileys and Wolseleys. This explains the relatively unadventurous design of the standard engine. However the reliability problems of the twin-cam B-Series and the mixed reception of the Riley Pathfinder discouraged BMC from pursuing this development and work stopped in 1955.^{[citation needed]}

Other signs of the Morris origins of the design were the crankcase being cast with strengthening ribs (a feature not introduced to the A-Series until 1980) and the big end bearings being split diagonally rather than horizontally. The C-Series also had a hydraulic tensioning unit for its timing chain and had the oil pump and distributor driven via separate sets of skew-cut gears on the camshaft. This was relatively unusual for mass-produced engines of the time; the A- and B-Series engines, and most of their contemporaries, had both oil pump and distributor driven by one shaft driven from one skew gear. The C-Series' arrangement reduced load on the gears and therefore wear, preventing the ignition timing falling out of specification over time.^{[citation needed]}

Given the design emphasis on durability and ease of manufacture, the C-Series has always been considered an engine that was both large and heavy for its capacity and power output, initially proving to have little benefit, aside from the greater refinement of six-cylinders, over the Austin-designed four-cylinder 2.6-litre BS1 engine installed in the Austin A90 Atlantic and Austin-Healey 100. Austin's engineers attributed this to the poor cylinder head design. In 1957 the Healey was given a twelve-port head with a conventional intake manifold, increasing output by 15 bhp (11 kW) or fifteen percent. In 1959 carburettors were revised and replaced. In 1961 the inlet tract was improved, exhaust timing was adjusted, and twin exhausts added. Later in 1961 the saloon engines were slightly detuned and the Healey version's performance upgraded, probably by Weslake. Then the Austin Healey Mark III was announced.^{[citation needed]}

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The C-Series was also less efficient than, and in engineering terms was a retrograde step from Nuffield's engines: the Riley-designed Riley 2½-litre Big Four twin-cam four-cylinder unit fitted in the Riley RM series, and Riley's prewar cars, and the Wolseley designed Wolseley 2.2-litre straight six with a single overhead camshaft used in the Morris Six MS version of the Wolseley 6/80 which dated back to the early 1920s.

The Austin BS1 had begun as a late wartime Rix and Bareham design, two-thirds of a Bedford-based wartime truck engine, for a 2.2-litre ohv unit intended for a British jeep which became the civilian Austin Champ. Its use spread to Austin's Sixteen, their light commercial vehicles and the FX3 taxi.^[3]

However the C-Series was much more reliable than these units and cheaper to manufacture.

Version 1[edit]

Applications 1[edit]

• 2.6 L (2,639 cc) (announced 18 October 1954)^[4]
  • 1954-1959 26AAustin A90 Westminster^[5] - 63 kW (86 PS; 84 hp)
  • 1956-1959 26AAustin A95 Westminster - 68 kW (92 PS; 91 hp)
  • 1956-1959 26AAustin A105 Westminster - 76 kW (103 PS; 102 hp)
  • 1956-1959 26AHAustin-Healey 100-6 - 76 kW (103 PS; 102 hp) → 87 kW (118 PS; 117 hp)
  • 1955-1958 26MMorris Isis - 63 kW (86 PS; 84 hp) → 67 kW (91 PS; 90 hp)
  • 1957-1959 26MMorris Marshal - 63 kW (86 PS; 84 hp)
  • 1958-1959 26RRiley Two-Point-Six - 71 kW (97 PS; 95 hp) → 75 kW (102 PS; 101 hp)
  • 1954-1959 26WWolseley 6/90^[6] - 71 kW (97 PS; 95 hp)

Applications 2[edit]

• 2.9 L (2,912 cc) - Four bearing crankshaft (announced 17 July 1959)^[7]
  • 1959-1961 29AAustin A99 Westminster^[8] - 81 kW (110 PS; 109 hp) → 84 kW (114 PS; 113 hp)
  • 1961-1968 29AAustin A110 Westminster - 89 kW (121 PS; 119 hp) → 94 kW (128 PS; 126 hp)
  • 1959-1967 29AHAustin-Healey 3000 - 97 kW (132 PS; 130 hp) → 112 kW (152 PS; 150 hp)
  • 1959-1961 29VAVanden Plas Princess 3-Litre - 81 kW (110 PS; 109 hp) → 84 kW (114 PS; 113 hp)
  • 1961-1964 29VB Vanden Plas Princess 3-Litre - 89 kW (121 PS; 119 hp) → 94 kW (128 PS; 126 hp)
  • 1959-1961 29WAWolseley 6/99^[9] - 81 kW (110 PS; 109 hp) → 84 kW (114 PS; 113 hp)
  • 1961-1968 29WBWolseley 6/110 - 89 kW (121 PS; 119 hp) → 94 kW (128 PS; 126 hp)

Revision[edit]

With the car market demanding ever-increasing power and performance in the 1960s, especially from sports cars such as the Austin-Healeys BMC engineers concluded that the existing C-Series with four main bearings could not reliably withstand more than 150 bhp (112 kW; 152 PS) in road use and 170 bhp (127 kW; 172 PS) for short periods in competition. The four-bearing engine was also limited as to its maximum rotational speed due to the relative lack of crankshaft support.

With demand for the Austin-Healey 3000 still strong and development of what would become the Austin 3-Litre underway BMC carried out a thorough redesign of the C-Series with the aim of improving the power output and reducing both the engine's weight and its overall size. The engine was reworked to carry seven main bearings, steel ancillary castings were swapped for aluminium alloy ones where possible and the main block and cylinder head castings were redesigned to have slightly smaller external dimensions while retaining the same cylinder capacity of 2.9 L (2,912 cc). The manifolds were altered for more efficient 'breathing', especially at high engine speeds.

BMC aimed for a 30 per cent weight reduction at 175 lb (79 kg) and a maximum reliable power output in competition tune of around 200 bhp (149 kW; 203 PS). In the event a minimal weight saving was returned - the revised engine was only 45 lb (20 kg) lighter than the old version. The main identifying feature of the 'mark 2' C-Series engine is the much narrower Rocker cover, which is only around half the width of the cylinder head, whereas the original engine has nearly full-width cover. Thermionic culture vulture vst crack.

By the time the new engine was available the Austin-Healey 3000 had been dropped and was replaced by the MGC. No real use was made of the revised engine's greater strength and the power outputs were broadly similar to the original 2.9-litre engine at 145 bhp (108 kW; 147 PS).

Applications 3[edit]

C Junior Dev Austin Va

• 2.9 L (2,912 cc) - Seven bearing crankshaft
  • 1967-1971 29AAAustin 3-Litre - 93 kW (126 PS; 125 hp)
  • 1967-1970 29GAMGC - 108 kW (147 PS; 145 hp)

Racing engines[edit]

Much of the potential in the revised C-Series was demonstrated by the six specialised racing versions of the MGC built for 12 Hours of Sebring races in 1968 and 1969. These cars, dubbed the MGC GTS, used special versions of the C-Series engine. The first car was built with an engine where both the head and the block were cast in aluminium alloy but this proved troublesome and all the cars eventually used the standard iron block with an alloy head. The head had a higher compression ratio, larger valves (from the Ford Essex V6), revised porting and redesigned exhaust system as well as using triple twin-chokeWeber carburetors. These specialised versions of the C-Series made an easy and reliable 200 bhp (149 kW; 203 PS) with a weight loss similar that hoped for in the redesign process. However the inherent cost of these engines and the commercial failure of both the MGC and the Austin 3-Litre meant that none of these alterations were considered for the production units.

C Junior Dev Austin Houston

End of run[edit]

As an all-iron, overhead-valve engine, the C-Series was becoming outdated in terms of its construction and power-to-weight ratio. These factors were significant contributors to the poor sales performance of the last two cars it was installed in. It was effectively replaced, after a short hiatus, by 2.2 and 2.6-litre straight-six versions of the E-Series engine, introduced in 1972. The E-Series provided larger capacity six-cylinder engines made on the same tooling as the four-cylinders.

Japan[edit]

C Junior Dev Austin Indiana

In the 1950s, Nissan of Japan licence-built the Austin A40 and A50 with their B-Series engines.^[10] In later years, this engine was fitted to Nissan's own designs of light trucks. The B-series engine was developed further in Japan, particularly to redesign the perennially leaking rear crankshaft seal. This improved engine was known as the 'C Series' or eponymously as the 'Stone engine' after its designer. This overlapping name has led to a persistent myth that the six cylinder C-Series engine was also licence-built in Japan; it was not.

Nissan would later become known for their own design of inline six, used in the Nissan Z-car. Although this sports car concept traced its heritage from the big Austin-Healeys, the new SOHC engine had no inheritance from the Austin C-series engine.

C Junior Dev Austin 2017

References[edit]

1. ^http://www.aronline.co.uk/blogs/cars/mg-cars/mgb/engines-c-series/
2. ^Pressnell, Jon (2013). Morris: The Cars and the Company. United Kingdom: J H Haynes & Co Ltd. p. 227. ISBN1859609961.
3. ^Time for Sixteens to come of age. Martyn Nutland. Austin Times, April 2003, Volume 1, Issue 1.
4. ^New Austin Car. The Times, Tuesday, 19 Oct 1954; pg. 4; Issue 53066
5. ^New Austin Car. The Times, Tuesday, 19 Oct 1954; pg. 4; Issue 53066
6. ^New Wolseley Car. The Times, Wednesday, 20 Oct 1954; pg. 5; Issue 53067
7. ^New Austin Model. The Times, Friday, 17 Jul 1959; pg. 3; Issue 545156
8. ^Fine Road Performance of the Austin A.99. The Times, Tuesday, 8 Mar 1960; pg. 15; Issue 54714
9. ^Farina-Styled Car By Wolseley. The Times, Wednesday, 8 Jul 1959; pg. 4; Issue 54507
10. ^'Austin A40 and A50'. EarlyDatsun.com. Archived from the original on 8 February 2015. Retrieved 15 December 2014.